Adaptive tone
InterTone
An adaptive EQ that holds the tone you set, as the singer moves on and off the mic or a player digs in harder. For vocals, guitars and drums.
- Latency
- 0 samples
- CPU
- 0.01%, Apple M4 Pro
- Formats
- VST3, Audio Unit
- Platforms
- macOS, Windows
- Channels
- Mono, stereo
On the panel
Learn target
Learns the tone to hold from the input, or from a reference file.
Tone regions
LOW, BODY, PRESENCE and AIR raise or lower the target in their range.
Processing range
Drag its two edges: the correction acts between them and leaves the rest alone.
Amount
How much of the correction you hear, with TILT beside it leaning the target darker or brighter.
Speed
How fast InterTone reacts, from 5.6 s at 0 to 0.16 s at 100: slow for a vocal, fast for drums.
Boost and cut
The most the correction may boost or cut.
Match and pre-EQ
Switches the display between the matching and a four-band EQ in front of it. Shape the sound in PRE-EQ and InterTone holds what comes out.
The target
Learn the tone at soundcheck or from a reference track, or start from a factory target. Then shape it with LOW, BODY, PRESENCE, AIR and TILT. The display shows when InterTone is working and when it is holding.
Shape it first
A four-band EQ in front of InterTone. Shape the sound in PRE-EQ and InterTone holds what comes out. Back in MATCH, your EQ stays in view as the amber line. Move the pointer near any node to see its settings and change them.
- Nodes
- Four: shelf or bell, two bells, shelf or bell
- Gain
- ±12 dB
- Q
- 0.3 to 10
How it follows
SPEED sets the attack: slow for a vocal, fast for drums. The release is ten times faster. Below the wedge on the input meter InterTone stops listening, so it doesn't chase the stage between phrases: the whole curve stays where it is until the sound comes back, so a kick or snare keeps its boost between hits.
- Speed
- 5.6 s to 0.16 s
- Release
- A tenth of the attack, at least 0.1 s
- Threshold
- The wedge on the input meter
And also
Processing range
Drag the two edges on the display to keep the correction to the part of the spectrum that needs it.
HP and LP
First in the chain, so the rumble and hiss they remove never steer InterTone. Each can be 6 to 48 dB/oct.
Targets
Six factory targets for speech and vocals, and your own, learned from any source and saved under a name to load on any track.
Specs
- Latency
- 0 samples
- CPU
- 0.01% of a 14-core Apple M4 Pro, every stage on, mono, 48 kHz
- Formats
- VST3, Audio Unit
- macOS
- Apple silicon and Intel
- Windows
- x64
- Channels
- Mono, stereo
- Version
- 0.9.21
Download
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New in 0.9.21
A 1.25x window size.
- It's in the menu (☰), between 1x and 1.5x. Someone asked for a size between the two, and every Interwebbi plug-in gets it in this release.
- Nothing else changed: no control, default or sound is different, and your projects and presets open as before, at the window size they were saved with.
The rest of the family
Mic preamp
InterMic
A warm mic preamp for live vocals, with air, a gain rider, stage bleed taken out by a custom-trained AI model, and feedback caught as it starts to ring.
Compressor
InterComp
A fast FET stage to grab the peaks, then a smooth optical leveller, with auto gain to keep the level matched.
Resonance, width, limiter
InterSilica
Shave the harshness, then seal the ceiling: a resonance suppressor, a one-knob stereo width and a limiter.
Network audio
InterStream
Sends a track or a mix out as NDI® and SRT, or plays a feed in from the network.
Mix balance
InterBalance
Checks your mix against a target in loudness and tone, and nudges it there slowly when you let it.
Master glue
InterMaster
One knob that glues a whole mix together and makes it sound fuller, then a limiter seals the ceiling.
Tape delay
InterTape-delay
A tape delay for vocals and instruments: each repeat comes back darker and further away, and the dry stays on time.
Reverb
InterVerb
A reverb for vocals and instruments: plates, halls, rooms and Fresh air, at zero latency and light on the CPU.
The Suite
Every Interwebbi plug-in, with one licence and one installer.